Dust2022
»Andreas Gefeller freezes whirling cinder in flight with a highspeed flash unit. (…) The auratically charged photos contrast starkly with the prosaic reality of this residue of civilization, transcend its being-in-the-world as it were, and become a symbol of the universal cycle of becoming and passing away.«
Bettina Haiss
073
2022
160 x 120 cm / 63.0 x 47.2 in.
071
2022
160 x 120 cm / 63.0 x 47.2 in.
063
2022
100 x 75 cm / 39.4 x 29.5 in.
064
2022
100 x 75 cm / 39.4 x 29.5 in.
065
2022
100 x 75 cm / 39.4 x 29.5 in.
070
2022
160 x 120 cm / 63.0 x 47.2 in.
074
2022
160 x 120 cm / 63.0 x 47.2 in.
075
2022
160 x 120 cm / 63.0 x 47.2 in.
076
2022
160 x 120 cm / 63.0 x 47.2 in.
077
2022
160 x 120 cm / 63.0 x 47.2 in.
078
2022
160 x 120 cm / 63.0 x 47.2 in.
079
2022
160 x 120 cm / 63.0 x 47.2 in.
080
2022
160 x 120 cm / 63.0 x 47.2 in.
081
2022
160 x 120 cm / 63.0 x 47.2 in.
Dust
Essay (english)
2022
Dust to dust—an eternal cycle of life and substances. For the Dust series, Andreas Gefeller uses a high-speed flash to photograph the swirling slag that remains after incineration in a landfill site. (Read more)
Dust
Essay (deutsch)
2022
Staub zu Staub – ein ewiger Kreislauf des Lebens und der Stoffe. Für die Serie Dust fotografiert Andreas Gefeller mit einem Highspeedblitz zerstiebende Schlacke, die nach der Verbrennung in einer Mülldeponie übrig bleibt. (Weiterlesen)